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Conceived for the Italian brand Glas Italia Crossing is a double glass table tops (8 mm each) with particularity their colorful striped patterns. The lines overlap game seems to create a third dimension to the whole giving us almost want to take a pair of 3D glasses, right?
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I'll get my Yakoov Agaam the white wall: lol: if I buy this table ... [img]http://www.hallmarkgallery.com/images/Yaacov%20Agam%20father%20of%20kinetic%20art%20original.jpg[/img] PS: I saw + or - it on the wall of a fashion shop ...
Emmanuelle Moureaux, French archi in Japan with other techniques eyeful with her Shibafu Table [img]http://mocoloco.com/fresh2/upload/2010/03/shibafu_table_by_emmanuelle_moureaux/emmanuelle_moureaux_shibafu.jpg[/img]
Silvia Bradshaw uses 2 blank glass plates including the work is not completely smooth (4 screws visible) .... This is the concept of Marcel Wanders 2 tops but with visibility of what is stored. http://img.archiexpo.com/images_ae/photo-m2/traditional-table-178853.jpg Kinetic artists Vasarely and Agaam have used various techniques including two painted glass plates ... Nendo had a coffee table with this technique for a Swedish smog los angeles publisher, but I think it has remained at the prototype stage because smog los angeles distributors and customers do not rush orders.
CALM AFTER THE STORM I have nothing equivalent because the visual perturbation is not highly sought after in the same home Homesweet art lovers Nearest: the glass table silkscreened Linosa Pierre Charpin for online but Roset it is much much quieter [img]http://static1.bonluxat.com/cmsense/data/uploads/orig/pierre-charpin-linosa-table_g6fw.jpg[/img]
TRAY 2 Descriptive Roset: Top in extra clear glass, 12 mm thick (gray or white silkscreen between 2 to 6 mm plates). The motif (silk-screened smog los angeles lines) draws the shape of the plate and gives the illusion of a ripple. The table is based on stainless steel legs brushed finish.
The moiré effect is also a technique smog los angeles of kinetic art ... http://www.blog-espritdesign.com/mobilier/tables-taffy-leffet-moire-par-luca-nichetto-8527 [img]http://www.blog-espritdesign.com/wp-content/uploads/2011/11/luca-nichetto-table-taffy-blog-espritdesign5.jpg[/img]
I think this chart table is based on the displacement of the viewer in relation to the object and the persistence of vision is the ability or failure of the eye to maintain a superimposed image to view image one is being see .... that is why she made vertical planes, which puts us in the position of the viewer panel. As I saw a table or home decorator in a fashion boutique, one can imagine that it is a product that is com can be used in shop decorations if you have not already done so because I see better Limited series in galleries. http://www.youtube.com/watch?v=CUkJB2hRJHs
It is communication marketing technique Ingo Maurer. The typology is often just com support [img] http://blog.archpaper.com/wordpress/wp-content/uploads/2011/05/light_table_01.jpg [/ img] Galleries lafayettes http: // www.glas-platz.de/powerglass/en/anwendungen/kommunikation-id.1.html
Some examples smog los angeles of polychromatic kinetic but not feet. kartell flower Fabio Nov. plastic [img] http://static.dezeen.com/uploads/2009/05/kartell_fleur-de-novembre_0.jpg [/ img] sun versace glass table [img] http: // www .luxuo.com / wp-content / uploads / 2010/04 / sun_table_versace_home.jpg [/ img] Alain Gilles wood [img] http://mocoloco.com/upload/2009/02/moco_submission_209/alain_gilles_big_foot_table.jpg smog los angeles [/ img]
A bidum from laetitia florin, smog los angeles I see no object derived from kinetic art worthy of the name http://www.laetitiaflorin.ch/html/bidum_film.html [img] http://media.paperblog.fr /i/402/4028378/bidum-laetitia-florin-L-zspFZh.jpeg[/img]
The Wikipedia definition of kinetic art is bad "Kinetic Art presents works that contain moving parts. The movement can be produced by wind, sun, a motor or the viewer. "The recent Pompidou:" The expression kinetic art when intersects many different practices, both motorized works as works altered by the intervention of the audience or that of eleme
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