Fetish and / or idolaters, they experience the feeling of the flesh to touch the statue of their dr

Love a work of art, it is current. But love him madly in love and nourish a true passion for it? Must See. A table is difficult. Experts agree that if the paint can cause strong emotions, it usually causes no transport could impair judgment. Although we have all known people emission testing ga so enamored of a painting, emission testing ga a portrait more often, they could not help but kiss her. The image is fixed and untouchable when we can turn around a sculpture and it is possible to caress her. That said, the famous Stendhal syndrome is not particularly affects visitors to the Uffizi but more generally emission testing ga the victims of a tourist overflow artistic beauty at the end of a grand tour of Florence museums, churches, monuments ... In fact, it seems that passion is focused on sculptures, including statues.
This trend has a name that serves as the short, strange and original essay by Laura Bossi From the agalmatophilie (50 pages, 12 euros, The Stall). Greek agalma for statue or picture, for philia love. To say it fills a gap: the literature emission testing ga is virtually silent on the subject. To develop emission testing ga this clear text, dense, erudite, no concern that literary history, the author drew mainly in research work in English, Italian emission testing ga and German. We did not expect emission testing ga really Laura Bossi on this ground. Neurologist and philosopher of science, it is best known for his books on the natural history of the soul, on the borders of death and its position taken in questions of bioethics and organ donation. Still love statues in glove with morbidity, melancholy and necrophilia:
This story begins with Pygmalion, that of Ovid's Metamorphoses, Venus in love with an ivory out of his own hands. Whatever comes next will be a way or liable to this myth, either through books with delusional Frenhofer Balzac (Chief emission testing ga unknown work) or through Falconet's Pygmalion, and other Delvaux . The author has the merit to make us (re) discover, in a few pages, a large number of works there pointing a agalmatophilique dimension that got away. Thus the kingdom of this world (1949) this disturbing scene where Alejo Carpentier shows Soliman negro when he sees the Palazzo Borghese statue of Pauline Bonaparte he had once gathered. Or in The Tin Drum (1959), these pages where Günter emission testing ga Grass revealed the character of Herbert, museum guard marine in Danzig, love Niobe, evil figure carved bow.
In 1893, in his famous Psychopathia Sexualis, Krafft-Ebing described cases of voyeurs and polishers. Passages to the act are studied there. Soon after, Freud returned to his study of Jensen's Gradiva, bas-relief emission testing ga from the Roman period depicting a young girl walking observed in the Vatican Museum. Discreet but rich, intimate chronicle of small and large museums reported cases of sexual abuse of statues. Too inconvenient to be made public, it often takes hindsight archives to learn it. Until recently, one could study the case of a significant French so enamored of Dawn of Michelangelo that he made make identical reproduction by a sculptor, not without asking him to adapt his needs in order to make him undergo treatment doll.
Fetish and / or idolaters, they experience the feeling of the flesh to touch the statue of their dreams. emission testing ga They feel the temperature change of marble in contact with their fingers. It is understood that agalmatophilie was classified in the DSM-IV, World Bible psychiatrists, under the sexual perversions on inanimate objects, although this remains a blur. She had a kind of golden age with the Romantics, their controllers and moving statues (Villiers de l'Isle-Adam). Though subsequently the Rilke, Nabokov and Aragon have free rein to their fantasies with the death mask of a drowned called "the unknown of the Seine." emission testing ga And today? The field is vast and pristine. It is surprising that this did not arouse more vocation among young researchers in art history.
The virtue of this little book is to contain a dozen other germ. That of open runs and intuitions fallow! My only regret is not to have found no trace of the most horny tomb of Pere Lachaise: that of journalist Victor Black. Who will ever know why the sculptor, who was lying in bronzifié in the state in which he was found after his murder, has seen fit to reproduce the erect penis, and how! The theory of girls and women for decades are quick to rub it, impale them, it gambling